(Grand Jury)On her second album, the Nashville-based musician dwells on broken relationships, toxic behaviour and addiction all too relatablyOn her second album of raw, deliciously sad indie-rock, Nashville-based Samia constantly flits between blackly comic confessionals and excruciating bloodletting. Opener Kill Her Freak Out, underpinned by a funereal … Read entire story.
Source: Music | The Guardian