The pop singer and songwriter’s first album was a master class in maximalism. Its follow-up, “Hold the Girl,” still carries weighty subjects, but largely without its chaotic edge. Read entire story.
Source: NYT > Arts > Music
The pop singer and songwriter’s first album was a master class in maximalism. Its follow-up, “Hold the Girl,” still carries weighty subjects, but largely without its chaotic edge. Read entire story.
Source: NYT > Arts > Music