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    Categories: Music

‘Our music charts are still kind of segregated’: critic Kelefa Sanneh on pop, fandom and race

The New Yorker writer’s book Major Labels examines why we tag music with a genre, be it for commerce or community. He explains why people still argue over great songs – and why they can thrive on cultural appropriationWhen Nik Cohn wrote Awopbopaloobop Alopbamboom: The Golden Age of Rock in 1969, … Read entire story.

Source: Music | The Guardian

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