Don Carlo review – Hytner’s blood-red horror hampers Verdi’s dark vision

Royal Opera House, LondonNicholas Hytner’s production yields variable results as glorious singing and fine individual achievements don’t cohere into a satisfactory wholeSixteenth-century Spain resembles a prison or a madhouse in Nicholas Hytner’s Royal Opera production of Don Carlo, first seen in 2008, now on its third revival. … Read entire story.

Source: Music | The Guardian