"I Don’t Like To Be Without An Opera On My Desk," Says Philip Glass

And that would explain why he’s managed to produce more than 30 of them – in particular the chamber operas he writes between major commissions. “I’ve found that experimental theatre companies are prepared to take on these things, and it is a handy form to work in, not requiring huge budgets.” Read entire story.

Source: ArtsJournalMUSIC – ArtsJournal