Peter Sellars on his Reagan-era staging of “Le Nozze di Figaro” (1988), why he chose the setting, and what Mozart was saying about money, class and power. Read entire story.
Source: NYT > Music
Peter Sellars on his Reagan-era staging of “Le Nozze di Figaro” (1988), why he chose the setting, and what Mozart was saying about money, class and power. Read entire story.
Source: NYT > Music